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“我們并不是與世隔絕，我們活在思想和對(duì)話中，因此活在世界的中心。只不過(guò)是在另一塊土地上，我們和大多數(shù)人之間并沒(méi)有涇渭分明的區(qū)別，我們只是用另外一種目光看世界。我們的任務(wù)是在世界上建起一個(gè)島嶼，推出另種生存的可能性?！?/p>

——赫爾曼?黑塞

"We are not isolated from the world, we live in ideas ，conversations and in the center of the world.In another land,there is no clear distinction between most people and us, we just see the world in different eye. Our task is to build an island in the world, to launch another possibility of existence."?

——Herman Hesse

灰丨靜謐

Grey丨Quiet

在當(dāng)代社會(huì)中，人們除了在乎高效、體面而外，更應(yīng)當(dāng)留住那轉(zhuǎn)瞬即逝的“靜謐”。在進(jìn)門(mén)玄關(guān)處的頂面，我們并沒(méi)有做過(guò)多的裝飾，而是保留了原本建筑的鋼筋混凝土，那種非機(jī)械的、自然的質(zhì)感。水泥灰色調(diào)，可以給人一絲壓抑感；適當(dāng)?shù)膲阂指袝?huì)讓人產(chǎn)生那種與世隔絕的沉靜。

In contemporary society, people should care about not only efficiency and decency, but also retain the transient "quietness". We did not decorate the top surface of the entrance, but kept the non-mechanical and natural texture of the reinforced concrete of the original building. The cement gray tone can give people a sense of depression; a proper sense of depression will give people a sense of isolation and silence.

本項(xiàng)目是一對(duì)90后丁克夫妻，希望通過(guò)200㎡的空間打造一個(gè)從城市喧囂過(guò)渡到安靜勿擾的心靈之所。一個(gè)完全只屬于兩個(gè)人的空間，可以掌控自己生活、建立秩序，來(lái)對(duì)抗外界壓力的精神居所。躲避城市的喧囂、復(fù)雜的人際關(guān)系、白天工作的壓力，享受家的安靜，甚至是一種只有兩個(gè)人孤獨(dú)感。家不僅是港灣，更是逃離社會(huì)，放縱自己，敞開(kāi)自己，包容自己的地方。

This project is a post-90s dinky couple who want to create a place for the mind to transition from the hustle and bustle of the city in the space of 200㎡. A space that only belongs to the couple , a spiritual residence where they can control their own lives and establish an order to combat external pressure. Escape the hustle and bustle of the city, the complexity of relationships, the stress of the job, and enjoy the quiet of home. Home is not only a harbor, but also a place to escape from society, to indulge yourself, to open yourself, to embrace yourself.

游丨自由

Flow丨Free

我們想創(chuàng)造一種流動(dòng)的、貫通的、隔而不離的整體空間效果。讓屋主感受那種可以輕松的從一個(gè)空間到達(dá)另一個(gè)空間的自由感，讓傳統(tǒng)私宅的封閉感得以消解，讓不同空間之間界定模糊，過(guò)度自然。我們不把空間作為一種消極靜止的存在，而是把它看做一種流動(dòng)的力量。

We wanted to create a flowing, coherent, not separated space. We wanted to give the homeowner a sense of freedom to move easily from one space to another, to dissolve the traditional sense of closure of a private house, to blur the definition between different spaces, and to make the transition natural. We do not regard space as a negative static existence, but as a flowing force.

“如果一張空無(wú)一物的簡(jiǎn)單桌子上什么都沒(méi)有——正因?yàn)榭帐幨幍模庞袩o(wú)限填充的可能，才是一種富有和自由的狀態(tài)。”

——原研哉

"If there is nothing on an empty table - it is precisely because it is empty that there is an infinite possibility of filling it, a state of wealth and freedom."

——Kenya Hara

日常生活被形容成公開(kāi)的舞臺(tái)，個(gè)體有意或無(wú)意地在扮演某些角色，向外輸出特定的角色信號(hào)。那么，夜晚回到只屬于自己的房間，就像大戲落幕后，退到只有你一人的后臺(tái)，沒(méi)有了目光和燈光的投射，人反倒可以輕松起來(lái)，流露出更真實(shí)的部分。

Daily life is described as a public stage, where individuals are playing certain roles, consciously or unconsciously, and outputting specific role signals outside. Returning to a room that only belongs to you at night is like retreating to the backstage where you are the only one after the curtain falls, without the glare and light projection.

穿丨探索

Through丨Explore

以較為通透和盡可能大的敞開(kāi)面進(jìn)行空間與空間之間的探索與對(duì)話。里與外，直線與曲線、光與影、游走與停留，在同一時(shí)間呈現(xiàn)。希望空間與空間之間，沒(méi)有明顯的分割界限。旨在創(chuàng)造一種具有極少墻壁和門(mén)的開(kāi)放感，同時(shí)允許從一個(gè)空間到另一個(gè)空間的分離和隱私。

The exploration and dialogue is carried out with a more transparent and open surface. Inside and outside, straight line and curve, light and shadow, wandering and staying, are presented at the same time. It is hoped that there will be no clear dividing line between spaces. The aim is to create a sense of openness with few walls and doors, while allowing separation and privacy from one space to another.

在經(jīng)濟(jì)發(fā)展和大量人口涌入城市的大背景下，人與人仿佛越來(lái)越分散的趨勢(shì)難以阻擋，對(duì)于現(xiàn)在的私宅的構(gòu)建，更多的是創(chuàng)造具有強(qiáng)烈個(gè)人意志的空間理念，使私宅回歸自由意志和精神共鳴，可以引導(dǎo)居住者一步步探尋生活的蹤跡。

In the economic development and the influx of a large number of people into the city, it is difficult to stop the trend that people seem to be more and more dispersed. For the construction of private houses , it is more important to create the concept of space with a strong personal will, so that private return to free will and spiritual resonance, which can lead the occupants to explore the traces of life step by step.

光丨指引

Light丨Guide

光不僅平衡了黑暗之間的關(guān)系，而且指引了內(nèi)心向往的一個(gè)方向，更好地去追求自我價(jià)值的實(shí)現(xiàn)。

The light not only balances the relationship between darkness, but also guides a direction of inner yearning to better pursue the realization of un-self-worth.

通過(guò)建筑的體塊穿插手法，打造了一個(gè)燈帶，每天晚上回家，燈帶從暗到亮，這是一種動(dòng)態(tài)變化的過(guò)程。

By interspersing the blocks of the building, a light belt is created. Every night when go home, the light goes from dark to light, which is a dynamic change process.